Released: 14.04.13
The wondrous sonic experimentalist that is Sone Institute presents
Collision/Detection v9 aka DeathBeat.
Sone Institute is the home of Roman Bezdyk, mercurial curator of
two out there albums, Curious Memories
(2010) and A Model Life (2012), and a
collaboration with Dollboy, The Sum and
The Difference. His Collision/Detection EP is the soundtrack to 1983 horror
classic DeathBeat. Hell has a new beat.
It is called death...
DeathBeat
(1983) Film
Synopsis.
Where Sex,
horror and vinyl collide on turntables of blood and bodily fluids.
"You
know you are dying for it... and you will baby"
“I call her Sister Sledge, Sister Sledge
hammer" as the cold
steel
pulverized her wretched smiling, sluttish face.
“...Blood
spewed from the soft opening like milk from a mesmerized baby’s mouth.”
Hell has
a new beat. It is called death...
The year is 1983 and DeathBeat, New
York’s finest nightclub is celebrating its 1st birthday.
What could go wrong?
Housed in the beautiful Gothic
Smoking Dog building. Once home to the
experimental asylum for sexually deranged and monstrously violent patients way
back in 1953.
Today also happens to be the 30th
anniversary of the 78 patient’s horrific termination by its very own deranged
medical director - mercilessly hacked to pieces one by one while under the
influence of the drug Kajja. The dead souls of the patients now pray in their
fear sodden death chambers never to be woken to the rotten earthly pleasure
that brought them here in the first place. Or, to the sick flesh pursuits of
their hell flamed desires.
Kajja’s main side effect is to
induce a relentless throbbing pulse wave of 69 beats per minute (bpm) in
patient’s / users skulls, due to a psychic irregularity and sonic displacement
of 69 bpm. Induced by DJ Beak's double groove sensual pleasure DJ set, tonight
hell will manifest itself in DeathBeat Discothèque.
They have returned for one final
dance.
Why and how they have returned,
earth dare not comprehend.
For what?
The revellers can only scream inside their
putrid, vile brains and beg for their pointless, Godless lives to be
extinguished.
1. DeathBeat 1 (Main title sequence)
Hope and
affluence reign in the club of distinction. Money, sex and power are the new
Gods. Man is his own master- the supreme being of all. DJ Beak reigns untouched
with his blend of double groove frottage scratch technique.
2. Unguarded Circle of Flesh (Decapitated head sequence)
The first set of heads and
mutilated genitals are discovered rotating at 45 rpm on the gold plated
Technics 1210's, but the beat goes on...
3. Flesh Dance (In a state of perpetual arousal)
Chased by institutionalized
reincarnations of lascivious inpatients, they attempt to fornicate with the big
hair styled and shoulder-padded patrons of the club. Unfortunately their idea
of climax always ends in death...
4. DeathBeat 2 (Film end title sequence)
The Club lights continue to flash.
A muffled beat relentlessly throbs. A lone female’s voice sobs. Trembling like
a demented gerbil in the corner of the dance floor. The camera pans across the
dance floor which drips in blood, seminal fluids, tears, half eaten brains and
fear induced piss.
The revolution will be digitalized.
Let the process begin!
The End.
